Read Aruna D’Souza’s take on the Iranian artist. Plus, Duchamp is coming to MoMA, Upstate art this month, and more. Read MoreHyperallergic
Art News
In “Discipline,” Larissa Pham Explores Predatory Art-World Mentorship
The art critic and former painter reinvents the genre’s well-trod territory in her debut novel, which makes heartbreakingly acute the consequences of teacher-student relationships. Read MoreHyperallergic
Pete Davidson’s Pop-Filled Art Collection Revealed in Westchester Home Listing
Davidson has packed a lot of maximalism into his deceptively quaint abode.
The post Pete Davidson’s Pop-Filled Art Collection Revealed in Westchester Home Listing appeared first on Artnet News. Read MoreArtnet News
The Unbearable Strangeness of Being
In Cinga Samson’s haunted paintings, we do not know what we are looking at, or where we are. Read MoreHyperallergic
The Museum Breathing Life Into New York’s Downtown Performance Scene
The Leslie-Lohman is figuring out how to collect art while connecting with the basic needs of the city’s queer community. Read MoreHyperallergic
Peep the Wildest Costumes of This Year’s Easter Bonnet Parade
The decorous fashion show has evolved into a rambunctious and all-inclusive pageant of New York’s crafters, artists, and street performers. Read MoreHyperallergic
Thomas Zipp, Visionary Installation Artist With a Punk Sensibility, Has Died
With a zeal for immersion, Zipp reimagined site-specific art as a kind of psychological theater. Read MoreARTnews.com
The Art Market’s Uneven Recovery, Explained
The second half of 2025 saw auction sales rise—will that momentum continue?
The post The Art Market’s Uneven Recovery, Explained appeared first on Artnet News. Read MoreArtnet News
The Business of KAWS: What Data and a Museum Show Reveal About His Market
After his auction results soared in 2019, he shifted.
The post The Business of KAWS: What Data and a Museum Show Reveal About His Market appeared first on Artnet News. Read MoreArtnet News
How the New Deal Treated Art as Essential to Democracy
The Works Progress administration and other New Deal programs saw artists as “workers with a brush.” Read MoreARTnews.com
